Maybe the real monster in the Alien franchise isn’t actually the killer alien. Because behind the acid blood and jump scares ...

Previewing the second Classical Remix Music Festival, where the concerts seek to score with concertgoers by emphasizing ...

Dust off the burned CDs and flip phones: a new festival devoted to the sounds and culture of the late ’90s and early 2000s is ...

That philosophy became a guiding principle for Russo as he crafted the score for Noah Hawley’s ambitious expansion of the ...

These wildly different films explore the wondrous, and sometimes terrifying possibilities of contacting extra-terrestrial life.

Marketing can make or break a film, and in the case of Disclosure Day, I think it did more harm than good. The trailers promised something closer to Denis Villeneuve’s Arrival or even a full-scale ...

The Hollywood Reporter has reached out to Tree’s rep, but did not hear back at the time of publication.

Steven Spielberg, who made what are arguably the two preeminent films about alien encounters, returns to that well of inspiration in his newest sci-fi wonderment, Disclosure Day.

Burn tells IndieWire about finding the sonic reality of hyperacusis and crafting an “adventurous” Dolby Atmos mix for "Tuner." “I remember going up to my bedroom and putting Public Enemy on full blast ...

When the Trump administration registered the domains Aliens.gov and Alien.gov in March, UFO conspiracy theorists wondered whether they might finally get answers they’d long awaited. But coming on the ...

This story was excerpted from Daniel Kramer’s Mariners Beat newsletter, with MLB.com's Josh Kirshenbaum filling in for this edition. To read the full newsletter, click here. And subscribe to get it ...